NAPPERRON

THE MELODY BASED ON THE FORULATED 8TH'S IS THE PALLET OF 7TH'S,9TH,11TH,13TH FOR LEAD.

NAPPERRON
HEL'LO THE CONSTRUCTION OF A E-TUDE: FIRST THE INTERDUCTION OR THE GROVE, THEN THE MOTIVE OR RIFF SOMETHING THAT REPEATS IT'S SELF IN THE PIECE OF MUSIC, THEN THE CADENCE THE ENDING THAT LEADS BACK TO THE ROOT. AND THE PALLET OF RILLS,RIFF OF THE DRUMS. LEARING HOW TO WRITE MELODY AND COUNTERPOINT, IN A GAME I PLAY TO WRITE: SPIN THE NOTE CHART WHAT EVER NOTE USE SCALE FORMULA TO CONSTRUCT THE SCALE, THREE STEPS UP OR FIVE STEPS DOWN THE CLEF IS ONE FORMULA IN MELODY,AND MOVEMENT BY SCALE AND THE NAIBORNOTE, THEN THE STACK NOTE HARMONY CORDS, LOOKING AT THE MELODY BEING THE COUNTER-PART OF THE CORD THE 6TH,7TH,9TH,11TH, OR 13TH IS A FORMULA FOR ADDING THE CORD PERGRESION TO THE FORMULA OF MELODY. SO IF THE MELODY NOTE IS THE 7TH ADD THE 5,3,1 FOR THE CORD OR HARMONY. THEN REMOVE THE MELODY AND PLAY THE CORD PERGRESION. THERE IS MORE FORMULAS FOR WRITING MELODY THEN LOOK TO SEE IF IT IS THE COUNTER-PART OF THE CORD OR STACK NOTE HARMONY.

NAPPERRON
HEL-O "COMPILED" IN LEARNING TO ENJOY MUSIC AND HOW TO CONSTRUCT AN E-TUDE. I HAVE STUDIED A LOT OF COUNTERPOINT AND MUSIC HISTORY IN THE CONSTRUCTION ONE PERSON OF MUSIC HAD COULD NOT HEAR THE MUSIC BUT, COULD WRITE. AFTER MY STUDY IN COUNTERPART < > COUNTERPOINT, I BOUGHT A BOOG ON SONG WRITING , WITCH EXPLAINED THE METAPHOR TERM OF MELODY IS LIKE A ROLLER-COASTER THAT GO'ES UP AND DOWN IN MUSIC BY STEP WHEN TO GO UP BY STEP AND DOWN BY STEP AND SCALED UP AND THE ADATIVE OF THE NAIBOR NOTE. SO THEN I DREW THE LEDGER LINE ALL THE WAY THROUGH THAT REPORSENTED MIDDLE "C" AND OBSERVED THAT THE MEDODY IS A PART OF THE CORD MOST OF THE TIME THE MELODY BING THE SIX,SEVENTH,NINETH SO ON "SHOULD I HAVE STUDIED SONG WRITING MELODY BEFORE CONTER-POINT OR THAT OF CONTER-PART...???

NAPPERRON

HELLO MY NAME IS RON-E-NAPPER I PLAY A FEW INSTRUMENTS I FIRST LEARNED MUSIC HISTORY AND THERORY AND HOW TO FORM A SCALE AND SUSTAIN A NOTE THEN HOW TO APLIE THE THIERD AND FITH TO FORM A T-TRAD OR TRIE-AD TO MAJOR "C" AND LEARNED ON THE BASIC SIX PIENO,GUITAR,BASS,UPPER CASE HAMONICA OR HORN, VOCALS AND DRUMS FIRST HOW TO FORM A SCALE AND PLAY A SCALE IN BASIC "C" MAJOR THEN FROM THE SCALE HOW TO FORM A CORD BY ADDING THE THIERD THEN THE FITH AND SO ON WHAT I WOULD LIKE TO SEE AND EMPROVE IS SITE-READING SUCH AS TOUCH TYPEING ON THE KEY-BOARD THE ADDTIVE I WOULD LIKE TO SEE IS LESS MICRO-FISH IN THE READING AND TO PLACE THE NAME OF THE NOTE ON THE SHEET MUSIC FOR EMPROVING SIGHT-READING. BY RON-E-NAPPER