Flutist06 (1545 points)
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Unless there is an accidental sign (flat, natural or sharp) next to the trill symbol, you want to trill from the written pitch up to the next pitch in the scale associated with whatever key you're playing in. For example, if you're playing in the key of Eb major, the scale associated with that is Eb. If you had a trill from on an Eb, it would go to F, F would go to G, G to Ab, Ab to Bb, Bb to C, C to D , and D to Eb. The accidentals next to the trill symbol (which you probably won't see until you get into more difficult literature), change what pitch you're trilling to. Taking the same example as above, if you had a trill on a Bb, normally you would trill to C, but if there's a little flat sign near the trill symbol, you trill to B (Cb) instead. If there were a little sharp sign, you'd go to C# (Db). There are many instances where alternate fingerings become useful (and sometimes they're a necessity). You really should memorize the various trill fingerings, and their uses (some trills will require different fingerings in different octaves, or with different surrounding notes), and then start applying them. Guessing, or just randomly using the thumb or trill keys will not get you very far. If you need to look up a trill fingering, my suggestion would be the same as ekdavies. www.wfg.woodwind.org has several extremely useful charts of various uses from trills and tremolos all the way through alternate fingerings for picc and bass flute.
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