C# Trill
C# Trill
00:01 on Sunday, September 9, 2007
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arabians207 (259 points)
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Wow.. ive been making 2873985374 posts lately.. but you all are incredibly helpful with my getting a new flute.
Anyway, in a few weeks (i really don't know when) I will be trying the Miyazawa 202 and 402 with the C# trill. I haven't tried one with it yet, but how will i really know how i like that if i don't have anything that needs it? My flute teacher LOVES them (she said if she could change anything about her flute, she would get a C# trill) and I'd like.. just kind of because XD Eh.. bad reason, I know. I don't really know how much I would use it if I've never used it before..
What trills and stuff does it make easier? How will I be able to convince my mom that it is worth the extra money?? (Well.. is it worth an extra $500 in your opinion?)
If you have one, how often do you use it?
Thanks much!
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Re: C# Trill
00:30 on Sunday, September 9, 2007
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Flutist06 (1545 points)
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I have one, and I use it (and like it) so much that any flute I buy in the future will be equipped with one. The touch for mine is placed differently than most, though, which makes it far more convenient (at least in my opinion)...The touch is right next to the 1st trill key, rather than the Bb shake, which means that you can use all three trills with only 2 fingers, which is much easier to coordinate. It also eliminates the extra rod that most C# trills involve. There are very few options that are as useful as a C# trill, and if it's possible, I would highly encourage you to get one. They're not for everybody, as they add a rod, and thus weight which some people don't like or can't handle (if they have hand/wrist problems), but for the average player, they're fine. Now, as for what they do, their primary use is to trill from B-C# in the first and second octaves without having to use the awkward combination of left hand thumb and forefinger, but also move the trill between C and C# to the first finger of the right hand, which is usually easier to use and faster. However, they also facilitate a huge number of other trills/tremelos. It allows a true G3-A3 trill, and in the first octave, you can do a tremelo up to C#, D, or Eb from any note G or higher. In the second octave, you can do a tremolo to C#3 from any note A2 or higher. It also facilitates trills from F#3-G#3, G3-Ab3, and Ab3-Bb3. Then there are "specialty notes" that it can be used for. In the opening to Afternoon of a Faun, it can be used in combination with the standard fingering for B to create a more easily colored C#. Or you can use the standard fingering for Ab2, but add the C# trill for an easy pp Ab3. Then it's also useful for some extanded effects if you choose to explore that road. As you can see, it certainly has its uses, and with some practice, is easily incorporated into your standard fingering system.
<Added>
I should clarify that the fingering I mentioned in connection to Afternoon of a Faun can be used in any situation where a similar effect is needed...It is not limited to use in that one piece.
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Re: C# Trill
06:09 on Sunday, September 9, 2007
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Re: C# Trill
18:11 on Sunday, September 9, 2007
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Re: C# Trill
21:29 on Sunday, September 9, 2007
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Re: C# Trill
21:44 on Sunday, September 9, 2007
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Re: C# Trill
01:27 on Monday, September 10, 2007
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Re: C# Trill
17:03 on Monday, September 10, 2007
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