Flute info
11:35 on Monday, March 30, 2009
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Re: Flute info
15:17 on Monday, March 30, 2009
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Re: Flute info
16:14 on Monday, March 30, 2009
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Re: Flute info
16:24 on Monday, March 30, 2009
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Re: Flute info
16:25 on Monday, March 30, 2009
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Re: Flute info
18:25 on Monday, March 30, 2009
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Zevang (491 points)
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Good. Then you may stablish that this flutist doesn't need exactly a very expensive flute, like a handmade, gold or alike.
In any case, for this idea to come out with a match, it's an important matter for this flutist to acctually have prior contact with the models you could afford, before you buy it.
Maybe you first choose a dealer and arrange with them some flutes of different brands (inside the limits of your budget) and later you invite the flutist to try playing the instruments, say 4 or 5 of the available from the dealer.
You can help the trials by putting attention on the sound the flutist can get from each of the instruments, and trying to imagine how the sound could better merge with the necessities of your group. For example, if there is a flute with which the player sounds too metalic, not in a harmonious way, you may imediatelly discard it.
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Re: Flute info
22:00 on Monday, March 30, 2009
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flute_n_bassoon (309 points)
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Posted by flute_n_bassoon
Is she playing flute in college for fun or in hopes of a serious musical future? If she is just playing it outside of college activities for fun, an intermediate model like an emerson EF6 would be a nice upgrade for her. However, if she plays the flute for college and hopefully a musical career, she'll need a nice proffesional model. I do agree with the poster above though, before buying a flute, you MUST try it out. Flutes are very personal, and everyone has a different taste and a different model that works well for them. Another option is to just buy a nice headjoint that fits her current flute. The most important part is that the headjoint sound hole cut works for her, and that makes the biggest difference in both sound and ease. If her flute is falling apart ,though, it would be best to just buy a new flute. Even with a new headjoint, the cost to continue fixing a flute over and over would add up. If you buy a new flute, I personally like a solid silver head, but the gold and the solid silver body are not worth the extra cost.
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Re: Flute info
05:52 on Tuesday, March 31, 2009
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Re: Flute info
10:08 on Tuesday, March 31, 2009
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Re: Flute info
11:59 on Tuesday, March 31, 2009
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Re: Flute info
14:17 on Tuesday, March 31, 2009
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Re: Flute info
17:31 on Tuesday, March 31, 2009
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flute_n_bassoon (309 points)
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Posted by flute_n_bassoon
But WHY do you consider the flute low grade? Can you see what brand it is? Does it just LOOK old or is it truly out of date?
I'm sorry if this comes across as rude, I mean to say it in a nice way.
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Re: Flute info
18:28 on Tuesday, March 31, 2009
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Tibbiecow (480 points)
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Sometimes folks mistake a flute's visible features for its quality. Most American flutes have open holes and a B-footjoint, but it is actually the engineering of the flute and the headjoint that make a flute play like a great instrument.
There ARE closed-hole, offset-G, C-footjoint flutes that are indeed extremely high-quality, professional instruments.
We unfortunately tend to judge on what we can see, so sometimes an instrument intended for an upgrade (for example, a Gemeinhardt flute with silver headjoint, open holes and a B-foot) is actually not as good an instrument as, for example, a Yamaha, Pearl or Jupiter student model with a professional, handcut headjoint in it.
In fact, if we assume that the flute body is in good adjustment, with no pad leaks, then the headjoint is where the response and tone happen.
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Re: Flute info
23:08 on Thursday, April 2, 2009
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Re: Flute info
05:57 on Friday, April 3, 2009
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