Carnival of Venice > Sheet Music
22:56 on Monday, April 20, 2009
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Ivoire (2 points)
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Does anyone have the ORIGINAL (Not Fantasie and Variations) Carnival of Venice sheet music for flute solo?
The composer is Giulio Briccialdi.
If you do, please email to apple_us@hotmail.com
Thank you so much in advance!
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Re: Carnival of Venice > Sheet Music
00:11 on Tuesday, April 21, 2009
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Re: Carnival of Venice > Sheet Music
06:06 on Tuesday, April 21, 2009
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Re: Carnival of Venice > Sheet Music
08:00 on Tuesday, April 21, 2009
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Re: Carnival of Venice > Sheet Music
10:44 on Tuesday, April 21, 2009
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Re: Carnival of Venice > Sheet Music
11:29 on Tuesday, April 21, 2009
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Re: Carnival of Venice > Sheet Music
12:35 on Tuesday, April 21, 2009
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Re: Carnival of Venice > Sheet Music
13:55 on Tuesday, April 21, 2009
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Re: Carnival of Venice > Sheet Music
17:22 on Wednesday, April 22, 2009
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Re: Carnival of Venice > Sheet Music
03:49 on Friday, April 24, 2009
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Re: Carnival of Venice > Sheet Music
08:23 on Friday, April 24, 2009
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Bilbo (1340 points)
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-one could cut music stand expense in half as well. One stand, one flute.
-Of course with a free hand, page turning is no longer a problem for those monumental works. One could even direct ensembles or wave at friends in the audience.
"- Flutes become universal, no more debate on offset vrs. inline G and the like.(But sad for Forums like this, they would lose some salt)"
Alas, I'd say that they'd go on to other more important topics.
-adept musicians could play other instruments at the same time. Ex: The "wind" person could play percussion, English handbells, harp, keyboards or even perhaps the accordion. The "fingers" person could sing along, play harmonica (W/support brace) or even a drone pitch on the bagpipes.
the benefits are endless and far outweigh the detractions.
A question Jose,
"- For people abroad (like me)"
How can you be abroad if you're at home?
~bilbo
N.E. Ohio
PS, personally, I don't like reading music from a computer. I prefer paper but I didn't upload it....
http://www.4shared.com/dir/14152364/42577d84/Public_Domain_Flute.html
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Re: Carnival of Venice > Sheet Music
09:28 on Friday, April 24, 2009
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jose_luis (2369 points)
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Abroad: you are right, but sometimes I get so much involved in this Forum that I behave as if I was in living in USA. And most printed music scores come from there.
Now to the most interesting:
My G.!!! the advantages are so, so much more important than I could ever dream of!
I had no considered the free hand!
Developing this concept, I think that with a little more practise, a good, well acquainted couple could hold the flute by the three usual points: player 1 chin, player 2 LH grip with RH help.
Now, the Player 1 (blower) could use both hands to finger a second flute, with a third player blowing on this second flute but with ***both*** hands free, so that he/she could play any full normal keyboard or string instrument. Not a normal Traversiere, they cannot be played to the left, unless specially made. But maybe a recorder would be fine.
In this way just three players could perform a full, two flutes trio with its Continuo. Violas should be avoided because they require a chin, but with the cello and keyboards it is more than enough.
One could object that with three players a trio is quite straightforward, but now we still have a free mouth left(@ player 2). This could allow daisy chaining of the players, perhaps to a full Music minus 1 (player) -but complete instruments- chamber ensemble.
(One free mouth left for the cello or keyboard player in a normal Trio? Well..., yes, let me think some solution to that objection for a coming post)
I agree that some (increasingly difficult) topology problems would have to be studied and solved. But I leave this possibility to others, more interested in chamber direction issues and with higher math knowledge than I have.
I have to mention the little disadvantage of having to play two different parts at the same time with just one brain; not usual for a flutist but quite normal for keyboard players. So some proficiency in piano, for example, should be useful.
This is something still to be seen in Youtube (one the very few things I can think of) so I claim the originality, at least of the idea.
And there may be many other ideas coming on the pipe. C'mon and get involved, we may be reinventing the music!
<Added>http://dc87.4shared.com/download/96177436/c89c542/Il_Carnevale_di_Venezia_Op_78.pdf............
So that is what the original poster was looking for... But thanks to his/her inappropriate request we have discovered a whole new world of music making!.
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Re: Carnival of Venice > Sheet Music
13:59 on Thursday, June 18, 2009
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FlutieGirlie (1 point)
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I am one of the flutists who was in the Carnival of Venice from YouTube. The one with two two female students? Yeah, I am one of them.
Just to let you know, because you are outlining the pros and cons of playing with two people on one flute, you do not, in fact, escape the sore wrist that we often experience while playing. Obviously the person who is blowing does not have to use their wrists or fingers, but the person who is doing all of the fingering must twist their wrist to be able to sufficiently reach all of the keys while squished in behind the other person. Instead of your fingers being slanted slightly to the left, like they are when you play the flute alone, your fingers are slanted to the right, and this creates a few issues. We found that it was extremely difficult to play clean chromatic scales because of the awkward angle. Luckily we are both small people, so we were able to stand pretty much side by side, but you will have to spend some time arranging yourselves to fit both of you.
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Re: Carnival of Venice > Sheet Music
15:51 on Saturday, June 20, 2009
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Re: Carnival of Venice > Sheet Music
19:34 on Saturday, June 20, 2009
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