The "split-E"
16:09 on Monday, September 13, 2010
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Re: The split-E
12:17 on Wednesday, September 15, 2010
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Re: The split-E
17:14 on Wednesday, September 15, 2010
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Re: The split-E
18:42 on Wednesday, September 15, 2010
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numptie (67 points)
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Thanks for the tips everyone.
Is there some consensus, that the third octave E note is harder, and so needs to have a split E mechanism?
I find it easier, whereas the C sharp is a nightmare for me - feels like I'm blowing through a hollow pipe. I can get it with the embouchure adjustments which you are describing, but I can't get it consistently, and often in playing, it is a real stumbling block for me.
do tend to alter the shape of my embouchure, the higher up the octave I go, and relax it more, the lower I go. Maybe for my sixth week learning, I'm just being too ambitious and I need to concentrate on the quality of notes in one octave rather than trying to learn all 3 octaves before term starts! Some days I can blow effortlessly with relaxed lips - it's usually in a piece, like Quantz's Allemandes where I come apart. I think I'm not changing embouchure fast enough to keep up with the piece's fingering.
It's still perplexing to me as to why a split E mechanism is so highly rated! It is far easier to blow than top G for me.
Are you relaxing your lips, resting them gently against your teeth, and pressing them slightly more together to get a smaller aperture for higher notes, or pulling them tight and thin against your teeth?
Picture a row of drawing pins between your lower lip and your teeth!
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Re: The split-E 17:14 on Wednesday, September 15, 2010 0 votes
There is an alternate fingering for the F# that I use sometimes, espcially when ppp,
Instead of the ring finger of the right hand, use the middle finger instead oxo instead of oox.
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Re: The split-E
15:57 on Thursday, September 16, 2010
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Re: The split-E
18:16 on Thursday, September 16, 2010
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numptie (67 points)
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Play second octave G loud, rich and clear, then take your thumb off and blow the air faster, while pressing your lips slightly together to achieve a smaller aperture, and you have third octave G.
If you are having trouble with third octave G, which is a relatively easy note, and you are not a total beginner, then you definitely need a (good)teacher IMO. Some stuff about the way you are playing is surely fundamentally wrong.
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.... and it worked!!!!
Lol. I'm not such a numptie after all!
Thanks for that
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Re: The split-E
20:23 on Friday, September 17, 2010
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Re: The split-E
22:32 on Friday, September 17, 2010
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Re: The split-E
09:17 on Sunday, October 3, 2010
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