Tips please :]

    
Tips please :]    19:15 on Sunday, June 3, 2007          

arcadexbrigade
(2 points)
Posted by arcadexbrigade

Well, im not exactly sure if this would be a good place to put this, I'm new here..so here it goes...
I've been playing Bass Clarinet for about 3 years and clarinet for about 6 or 7. I'm about to start learning Bari Sax because our bari player graduated, and no one else seemed to be interested in playing it, and I've always had my eye on playing it ;]
I know [[or some what]] the fingerings for it.
I guess I'm just asking if there are any bari quirks I should watch out for, or anything special I need to learn?
Also, I don't know if I should use a neckstrap or a harness.. I've seen it both ways.. I would like some opinions :]
and to clear something.. is it possible that i can use a contra reed to play a bari?


Re: Tips please :]    23:34 on Monday, June 4, 2007          

bubbles3
(20 points)
Posted by bubbles3

well, the neckstrap vs harness question...it probably doesnt matter if its for a band class, but a harness would most likely be better for marching band :] :]


Re: Tips please :]    15:28 on Tuesday, June 5, 2007          

laeta_puella
(344 points)
Posted by laeta_puella

definitely use a harness. those things are heavy! even bass clarinet is kinda uncomfortable on a neckstrap for more than short periods of time, and bari is much bigger/heavier. a harness (assuming it's a good, squishy one- i used neotech) is very comfortable, and i also like the angle they put the bari at.

i never actually tried my contra reed on bari, because i was told they were not in fact compatable... if its the only reed you have you could try it, but get your hands on some bari reeds soon! even if it fits, it will not work as well just because it was designed differently for different instruments.

watch out for getting the fingerings mixed up wiht clarinet, especially at first- when i played bari, i was doubling bari and bass clarinet for pit orchestra, so there were some occasions where i would accidentally finger for hte wrong instrument, and it would sound gross. this is pretty much only an issue for in-the-staff-G and below.

for the lowest notes, you may have problems at first keeping them from jumping up an octave, because the embochure required is rather looser compared to bass clarinet and especially to soprano. you'll get used to it.

have fun! bari is, IMHO, the coolest of the saxes


   




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