Scores in Bb
01:26 on Saturday, December 10, 2011
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Re: Scores in Bb
03:25 on Saturday, December 10, 2011
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Re: Scores in Bb
15:34 on Saturday, December 10, 2011
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Re: Scores in Bb
05:39 on Monday, December 12, 2011
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Re: Scores in Bb
13:58 on Monday, December 12, 2011
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Re: Scores in Bb
17:36 on Monday, December 12, 2011
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Re: Scores in Bb
18:45 on Monday, December 12, 2011
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Re: Scores in Bb
17:44 on Saturday, December 31, 2011
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Re: Scores in Bb
11:36 on Sunday, January 1, 2012
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Re: Scores in Bb
02:40 on Sunday, March 4, 2012
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Scotch (660 points)
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For solo work and jazz it's pretty much just the Bb. In the orchestra it's Bb and A, and most orchestral clarinetists, university level and higher, own one of each. (The third clarinet in orchestra may be a bass clarinet, but that's still a Bb instrument.) The Eb instrument is common in band.
Anyway, a given piece will of course sound different transposed up or down, but that's not the same as saying the keys themselves sound different. In equal temperament all keys are alike. (If you tune to a Pythagorean chromatic scale starting on say, F, all diatonic subsets from C major to B major--including G, D, A, and E major--will sound alike.)
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Re: Scores in Bb
18:42 on Friday, April 13, 2012
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Re: Scores in Bb
06:41 on Saturday, April 14, 2012
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Re: Scores in Bb
01:46 on Sunday, October 21, 2012
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Scotch (660 points)
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Although we are using an equal tempered scale and all common basic scales are equally tempered, there is still a different color or sound depending on the key.A really bad analogy would be like saying all planets that are the same size are the same. And they are not. I think most french horns sound best when played in concert Db, or concert E. |
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No, different notes on a particular instrument played by a particular player using a particular reed will have different timbres, but keys themselves do not have timbres (or "colors" or "sounds"). You're right about your analogy being bad, however.
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Re: Scores in Bb
01:04 on Wednesday, November 7, 2012
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