A collection of Polkas pieces in special arrangements for flute and piano. Easy to Advanced Level
1.
Clarinet Polka ('Dziadunio Polka')
"The Clarinet Polka" or "A Hupfata" (Polish "Polka Dziadek", Estonian "Vanaisa polka" - Grandpa Polka) is a popular musical composition from the end of the 19th century. Since 1971 it has been used as an opener in Lato z Radiem, one of the most popular shows of Polskie Radio Program I. The piece, performed (as its name implies) as a polka, has a simple and catchy melody, featuring a prominent extended eight-note arpeggio. It is typically performed in B-flat major.
Tritsch-Tratsch-Polka, Op. 214 (also known as "Trish Trash Polka"), is a polka written by Johann Strauss II in 1858. The title may be interpreted as "Chit-chat," alluding to the Viennese passion for gossip. It may also have referred to the composer's first wife's poodle, also named Tritsch-tratsch. A mainstay at the traditional Vienna Philharmonic Orchestra New Year's Concert, the mood of the piece is jaunty and high-spirited.
Beer Barrel Polka, also known by its chorus 'Roll out the barrel,' was a popular World War 2 song. Though it became hugely popular in the U.K and was performed during the VE celebrations on 9th May 1945, it was actually written by a Czech musician, Jaromír Vejvoda, in 1927. It was also popular amongst soldiers who fought on different sides, which words being written specifically for different countries. The English lyrics were written by Lew Brown and Wladimir Timm.
4.
Quirino Mendoza y.. - Jesusita en Chihuahua (Mexican Polka)
"Jesusita en Chihuahua" is a Mexican polka which was written by Quirino Mendoza y Cortés while he was serving as a Lt. Colonel in the Mexican Revolution and directing the military band in Puebla. Its premiere was held on Christmas Day 1916 and it has since been covered by a multitude of artists. The composition became a trademark of the Mexican Revolution and was Pancho Villa's favorite musical piece to have his bands play during combat. The piece centers on soldaderas; women who accompanied the revolutionaries, tending to their needs and on occasion even taking up arms to participate in combat.
"Thunder and Lightning Polka' (in German "Unter Donner und Blitz") by Johann Strauss II was first performed at the 1868 "Hesperus" artists' association in the Dianabad Hall in Vienna. It is popularly heard at the Vienna Philharmonic New Year's concert and remains one of the popular works by the composer, having appearing in movies such as "Ferdinand", "Bright Young Things", "Titanic" (1943) and in the video game "Mad Maestro!"
A traditional Rheinlander polka. "Rheinlander" is a traditional dance form from Germany, Austria, Switzerland and Scandinavia. It is usually in 2/4 and is related to the earlier 'Hopser,' a type of dance used by J.S. Bach in his "Peasant and Wedding Cantata" (1742). Other well-known Rhinelander melodies include the "Birewegge-Polka," "Gygeli-Polka" and "Heirassa Polka."
"Rosita Polka" by Francisco Tárrega (1852–1909) was originally written for guitar. It forms one of a relatively small body of work—he composed around 80 pieces during his lifetime—which, due their quality, nevertheless earned him the unofficial title of "the father of the classical guitar." He was also known as a very great player, having honed his skills at a very early age, even running away at the age of 10 to start a career playing in restaurants and cafes in Barcelona.
"Boda Gammalgarden" is likely a misspelling of the Swedish "Boda Gammelgård," meaning "Boda Old Farm" or "Boda Manor." It is a lively and pleasant work, suggesting that the place that it inspired was well-loved by its anonymous author.
An example of a traditional "Galopede." The "Galop" was the forerunner of the Polka, a countryside dance deriving its name from the the fastest run of a horse. It transferred to polite Parisian society in the 1820s, becoming the polka in Prague in the following decade. This piece may, however, originate from Australia, since bush dances from that county are often known as galopedes.
Bombon is a polka written by Brazilian composer Ernesto Nazareth around 1899. Along with rhythm sets such as habanera and the lundu, polka was an important influence upon the composer's style—he combined these popular elements with classical forms to forge a new genre he called "Brazilian tango."
