Re: Flute Adornments
02:35 on Sunday, May 7, 2006
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Re: Flute Adornments
06:24 on Sunday, May 7, 2006
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Re: Flute Adornments
07:16 on Sunday, May 7, 2006
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Re: Flute Adornments
13:51 on Sunday, May 7, 2006
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Re: Flute Adornments
14:11 on Sunday, May 7, 2006
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Re: Flute Adornments
15:03 on Sunday, May 7, 2006
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Re: Flute Adornments
15:11 on Sunday, May 7, 2006
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Re: Flute Adornments
19:27 on Sunday, May 7, 2006
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Re: Flute Adornments
21:32 on Sunday, May 7, 2006
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Account Closed (281 points)
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I agree with Kara on the gold plating. I have a slight silver allergy and, without the gold plating on my mouthplate and keys, I could have a bad reaction, what with all the practice I do! (Which might not be the best for me in the first place! )
I don't see why gold plating would detract from the flute's actual value, whether beginner or advanced... It would only be natural, I suppose, for an advanced flute to have solid gold plates. Small dogs can't gulp a big bone, I suppose! But, the gold is harmless if it is used to prevent physical reactions to other metal, right? Sometimes it shouldn't be about the cost or the value. I can see where you are coming from, Micron, and how vanity can be taken to the extreme, causing the price to lower because it looks fake, but gold plating for medical reasons isn't bad!
(Tell me if I am going in the wrong direction on this...)
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Re: Flute Adornments
21:57 on Sunday, May 7, 2006
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Re: Flute Adornments
10:55 on Monday, May 8, 2006
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Re: Flute Adornments
11:51 on Monday, May 8, 2006
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Re: Flute Adornments
12:43 on Monday, May 8, 2006
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evets (29 points)
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Hi everyone, I've been looking at your posts for a while and, all this talk about gold plating has peaked my interest. So, I have observered the "two-minute" rule and, now I'd like to get in on the conversation.
I have a couple of questions and observations about gold plating. First, I have to agree that gold is soft. It is so soft in fact that it is the only metal that (in pure form) you can rub two wires of it together at the ends and weld it together at ambient temperature.
I know that gold barely reacts with anything except a few exotic acids. This makes it an ideal surface barrier to silver where hypoallergenic concerns are manifested. I know that there many people out there that cannot wear silver jewelery (especially women with sensitive skin). The same would be true for silver or, silver plated flutes. Some people will have mild but, irratating localized skin reactions. Gold plating or electronic bonding of gold (Au) to silver (Ag) is ideal since gold and silver are related metals chemically (they have simular electron shells). Gold is often alloyed with silver because it can be.
I have a couple of questions with what I have seen on these posts. First, How do instrument techs that work on flutes know that gold plating (an eletronic bond of Ag to Au) is pourous? Do flute techs have eletron microscopes to see these pours because that is what you need. In fact, it is no more pourous than any other metallic surface under the microscope. All materials are pourous when examined at this level. Second, I thought that the pitting of silver is an oxydation reaction (silver's affinity to oxygen) How does oxygen get trapped under gold plating by means of mild organinc acids from human contact to cause pitting? Would it not attributted to impurities in the silver alloy itself? Thank-you all for thoughts on this matter.
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Re: Flute Adornments
13:42 on Monday, May 8, 2006
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DottedEighthNote (180 points)
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Posted by DottedEighthNote
I don't think Micron is trying to pick on anyone. He is questioning the person here who commonly talks about gold plating instruments and asking what results she has seen. I believe he said in his first post it was not a personal attack, and I see at no point where he attacked any businesses practices. He posed a question from one tech to another in a manner of someone who is seeking to learn.
Now, I recall the very first flute I owned was a nickel plated Artley. When I think back on it, there were some odd wear marks on the embouchere plate. They kind of fit in to the dimpling type of effect Micron is mentioning. Is that possibly the same thing?
As far as gold being soft, anyone who has worn a gold ring for a long time can prove that the metal will shape to your finger if the band is somewhat thin. My engagement ring from my wedding set has a thinner band and has reshaped over time, whereas my actual wedding band has not lost the perfectly round shape. I also pulled off a necklace that I wear on a daily basis and has not left my neck in 6 years. (As a sidenote, I can only wear precious metals because my skin will eat any imposter who tries to adorn my body. I have very oily skin) It is a combo of white and yellow gold fused into a certain design. I looked all along the the "joints" of where the two golds are fused together and saw none of the pitting. Could this be because both are made of a type of gold? Who knows?
My personal opinion on goldplating is that it is for cosmetic purposes only, as the lip plate can be covered with other less permanent materials if allergies are an issue. I would not pay more for gold plating, but I would not begrudge someone for having it on their instrument either, unless I saw pictures of damage caused by having the plating.
<Added>
I know that gold barely reacts with anything except a few exotic acids.
What are you defining as a "reaction"? Put some foundation make up on your face and run a piece of gold jewelry on it. There will be a clear reaction of the gold to the make up. That is where flute players get the black chin from if they wear make up when they play. Silver and Gold will react to the chemicals in make up.
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Re: Flute Adornments
16:56 on Monday, May 8, 2006
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