Headjoint 1:
Is very easy blowing, has a big sound in low register, notes don't break easy when overblown. Tone is brighter along all registers and it is more difficult to alter its colour.
Headjoint 2:
Much more difficult to play but so rich in different tone colours. Notes break easily when overblown. Requires the mastery of a very flexible embouchure to fully appreciate this headjoint. Can go to the quietest pianosimmo. |
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Most would call # 2 the more resistant head. The first, more than likely, has a larger more square hole with good undercutting. Probably leans to the higher side on the riser spec.
The second is smaller and more oval with less undercutting. Probably leans toward the lower side on the riser spec..and straighter riser walls..
The current trend is towards preference for headjoint #1 (unless you are Patrick...)
Joe B
