Correct name for this?

    
Correct name for this?    21:57 on Friday, July 25, 2008          

arabians207
(259 points)
Posted by arabians207

So our Iowa All-State etudes just came out today.. I'm just going to say they will be challenging! Even harder than last year.. so I am putting it into my Trial Version of Mozart 2008 so I can hear how it is supposed to sound, which helps me out tons!

If anyone has this book, its in the Selected Studies for Flute by Voxman.. this particular part in the very last line of page 19.

Is there a proper name for something thats like a grace note, but AFTER the note? Like this:
http://i23.photobucket.com/albums/b397/arabians207207/quantz1-1.jpg

The ending little turn thing. There is a list of ornaments in the program, but none of them are right..I cannot figure out how to enter it into the program.. I guess if I don't figure it out it will be ok since I know how to play it and all.. but it'd be nice to figure out how to enter it for future stuff too! Thanks!

<Added>

okay nevermind.. I think I got it to work! I guess i should putting in a grace note after.. i thought a grace note was just before notes, though.


Re: Correct name for this?    04:31 on Saturday, July 26, 2008          

Kevalenoxx
(58 points)
Posted by Kevalenoxx

theres no need to put it in ...its not that hard to play a grace then trill then another grace note


Re: Correct name for this?    05:53 on Saturday, July 26, 2008          

Bilbo
(1340 points)
Posted by Bilbo

Nachschlag: An ornament consisting of an unaccented note or notes at the end of the main note, or at the end of a trill.


Re: Correct name for this?    09:39 on Sunday, July 27, 2008          

Patrick
(1743 points)
Posted by Patrick

I usually refer to that as a resolution at the end of a trill, IMHO, don't make it too fast so as to distinguish it from the trill itself..


Re: Correct name for this?    13:58 on Sunday, July 27, 2008          

Bilbo
(1340 points)
Posted by Bilbo

I agree with Patrick.
I also think of these as grace notes leading to the next note rather than something after the trill. In some periods such as the classical, it was often considered as understood that it was done whether they were written or not. For example, the S&S Forever march works very well if the picc player does this after the last Eb-F trill just before the last high Ab.


   




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