Tibbiecow (480 points)
|
I am thinking this flute would be very similar to the very popular 581 model, which was solid silver head, body and foot tube, with silverplated pointed keys and mechanism. In the US, the inline G was 'the thing' to have, and the 581 model was inline.
It did come with a CY head, and from what I understand it would have been a hand-carved, rather than machine made embouchure cut.
I believe the older Yamaha heads had their embouchure cut and taper indicated with engraving/stamp (this one would read "CY") on the top of the head, just under the crown, on what would be the underside while the flute is being played. Machine-cut headjoints either were not stamped, or had a different indication of their particular cut/taper- I don't remember which, but it has been discussed on this forum before.
While the consistency of the machine made CY heads is fantastic, and it is a very good headjoint, some people who have a handmade CY head have said that their particular headjoint is better than a machine cut one. One extra pass of a file while undercutting can make a noticeable difference to how a headjoint responds, so this doesn't surprise me.
I bought a Yamaha 881 model flute, it came up for sale on eBay while I was looking to replace my Gemeinhardt 3SHB with a Yamaha 581. It had a handmade CY head, and that head was weird- asymmetrical, and didn't play all that well. I bought a different headjoint, and went on my merry way.
I just came across a handmade "CF" Yamaha headjoint, and it is really very nice. As described by Yamaha, it has the same embouchure cut, but a different tube taper, than the CY head. It is very 'happy medium', not too bright or too dark or really, too anything. It's just very playable. So I do think that the handmade heads can be 'special', unfortunately that can be a good thing or a bad thing.
Let me know what you think of the 511, assuming it is in good condition padding/adjustment wise.
|