I was wondering how best to articulate the Semi-quaver patterns in the Rondo, bars 37, 40, 89 etc, hopefully sticking as close to Classical articulation (ie how Mozart would have wanted it played)

in 37, i play
bflat to f slured, tongued the rest.
the one after, i go bflat to c clured, then g to a slured, and so on.
This is how some of the greatest players i know do it, but as with mozart is is all up to how you intrepret it