Look at the people who post with proper grammar, they do know what they are talking about.
Free solos are hard to come by esp for beginner/intermediate. For advanced, look at some corps cadences.
Also, I must say HOLY CRAP, EDWARD FREYTAG POSTED HERE! LISTEN TO THAT GUY!!!!!
Tuo Kaerf (Freak Out spelled backwards) was one of the most fun solos I`ve ever taken to contest. "ad lib with hands"
Rudimental Cookbook = GOOD Went through the whole thing
Oh, and some info on other solos books and writers
Jay Wanamaker - Good stuff! A very melodic, methodical writer good for those doing intermediate/advanced stuff.
John S. Pratt - Old School! When I played through this book, I expected to hear a flute accompaniment and see George Washington. This does not, however, take anything away from the solos he presents. Very good stuff. Very rudimental
Edward Freytag - See Above
Marty Hurley/John Wooton - Did a lot for the Phantom Regiment - check out the audition solos .... WOW some of those are TOUGH
Africa Hot is FUN except for the inverts(never liked them, so I got good at them). The tricks are VERY fun to learn.
Portraits in Rhythm by Circone (I think I have that correct)- that is THE concert solo book. It`s quite adept at turning "I`m awesome because I can play some fast stuff" drummers into drooling baffoons (it happened to me). Though I did not find this book fun in any way shape or form, it was probably one of the best things that happened to my drumming.
And the mother of all solo books .... Drum roll please (I had to say it)
Violent Ice Cream
This has some of the most difficult pieces ever published ... mostly because these solos are from the PAS tournament winners. I`m sure you all know Jeff Queen and Nick Angelis? If not, watch Blast .... Jeff Queen does the juggling thing, and most of that solo is in this book. Nick Angelis (I think I`ve got his name right) has INSANE chops, for proof, look at "Train Wreck" from VI. He played that for competitions. "Rodent Tomfoolery" .... I didn`t know people had actually tried playing double traditional grip. "Three" ... has you actually PLAYING WITH 3 STICKS!
You can play all of it! Yes, you! "No way" you think? I never said "Play at tempo"
No matter how dense a passage gets, you can always half or even QUARTER the speed. I`m not joking. Playing this slow is OK, and you learn to read difficult things. Just think of all the material that you can have if you play something difficult slow enough for you to be able to play it.
PS Please stop egging the pit/drumline argument on .... it`s pointless.
PPS Joke: My friend dropped 2 drums and a cymbal. Badoom CHHH