I have for some time now been able to sight sing anything that stays close to a tonal centre, whether that be major minor, or even modal. What I find more difficult is when a piece drifts from a particular key, it becomes much more difficult to read it in terms of a single note as a foundation.

I'm about to take up a choral scholarship at an English minster, and they seem to want a higher level of sight reading than I have. I wondered if there are any techniques that I could use in conjunction with the classic Kodaly, and how I might go about learning them.

Thanks in advance,

Peter